An effort to establish a place for Sinan with an identity of attitude...

MUSEUM OF SINAN THE ARCHITECT

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Information

MUSEUM OF SINAN THE ARCHITECT

Sinan...

We begin to understand by breaking into pieces.

By breaking down the whole into its understandable parts and reassembling them under the watchful eye of the mind, we obtain a synthesis and an inference. However, during this dismantling and re-establishment process, some important essences are lost and the new meaning that emerges may stay away from the subject we are trying to understand, becoming shallow. We can divide a plane into parts to understand the act of flying, but we cannot understand that we will get a flying object by looking at these parts such as the engine, screw, etc. All of them; when together,can turn into something completely different.

This may be the most dangerous part of thinking about Sinan; the more we analyze and try to understand, the further we move away from it.


An effort to establish an identity of attitude with Sinan


We are building a museum for Sinan on a layered earth crust which is rich in geology, culture and history, in an ethnic geography, with the lookout of the unique Erciyes Mountain. We aimed to establish an identity of attitude without getting lost in this richness and without worrying about becoming Sinan, by getting rid of a dangerous “world of images”.

We created the design by scraping it with our hands. We think that the feeling of touching and producing by using our hands is a timeless conjunction. In this context, we start by taking the support of all the craftsmen who have existed in these lands by using their hands. What we’re doing is designing a raised earth crust. A crust of earth that bears the traces of the soil of the place where it is located, and can even provide its shape in this way... This crust is a park. Recognizing that we are contextually part of an urban park, we create a ‘park’ within a uniform park. This elevated earth crust defines a dramatic intermediate space between the ground and the sky, offering an opportunity to experience Mount Erciyes and the rest of the park from a different level. It returns the space it occupies on the ground into a quality landscape on its roof for public use.

Under the raised earth crust is a completely different world. Here we are immersed in a sequence of different surfaces created by the different construction methods of the usual local materials. This is a rich world where the outdoor material continues to diversify in the interior, the feeling under your feet is kept alive at all times, a world different from the previous one is established with different light conditions every hour of the day, and there is constant human movement in and on top of it.

We understand Sinan as an attitude. We consciously avoid any imaginative analysis and inference. Without ever mentioning Sinan, we took the trouble of establishing a place for Sinan with an identity of attitude.

Welcome..

Client

Kayseri Metropolitan Municipality

Location

Kayseri

Size

4100 sqm

Awards

  • 3th Honorable Mention

Program

Museum

Status

National Competition

Collaborators

  • Sena Şeyma CAN

  • Berfu OKER

  • Sukan KÜLEKÇİ (İNTAÇ CONSTRUCTION & ENGINEERING)

  • Selami GÜREL (METAL YAPI ENG & CONSTRUCTION)

  • Tolga ÖNCÜLOĞLU (ENTE MECHANICAL)

  • M. Ali KORKMAZ (MAK ENERGY & CONUSLTANCY)

SİNAN...

We begin to understand by breaking into pieces.

By breaking down the whole into its understandable parts and reassembling them under the watchful eye of the mind, we obtain a synthesis and an inference. However, during this dismantling and re-establishment process, some important essences are lost and the new meaning that emerges may stay away from the subject we are trying to understand, becoming shallow. We can divide a plane into parts to understand the act of flying, but we cannot understand that we will get a flying object by looking at these parts such as the engine, screw, etc. All of them; when together,can turn into something completely different.

This may be the most dangerous part of thinking about Sinan; the more we analyze and try to understand, the further we move away from it.

KAAT ARCHITECTURE + URBAN

Fenerbahçe Mahallesi 34726  

Fenerbahçe - Kadıköy   | |   İSTANBUL 

T   :   +90 216 330 55 84

F   :   +90 216 330 55 83

We are building a museum for Sinan on a layered earth crust which is rich in geology, culture and history, in an ethnic geography, with the lookout of the unique Erciyes Mountain. We aimed to establish an identity of attitude without getting lost in this richness and without worrying about becoming Sinan, by getting rid of a dangerous “world of images”. 

We created the design by scraping it with our hands. We think that the feeling of touching and producing by using our hands is a timeless conjunction. In this context, we start by taking the support of all the craftsmen who have existed in these lands by using their hands. What we’re doing is designing a raised earth crust. A crust of earth that bears the traces of the soil of the place where it is located, and can even provide its shape in this way... This crust is a park. Recognizing that we are contextually part of an urban park, we create a ‘park’ within a uniform park. This elevated earth crust defines a dramatic intermediate space between the ground and the sky, offering an opportunity to experience Mount Erciyes and the rest of the park from a different level. It returns the space it occupies on the ground into a quality landscape on its roof for public use.


Under the raised earth crust is a completely different world. Here we are immersed in a sequence of different surfaces created by the different construction methods of the usual local materials. This is a rich world where the outdoor material continues to diversify in the interior, the feeling under your feet is kept alive at all times, a world different from the previous one is established with different light conditions every hour of the day, and there is constant human movement in and on top of it. 

We understand Sinan as an attitude. We consciously avoid any imaginative analysis and inference. Without ever mentioning Sinan, we took the trouble of establishing a place for Sinan with an identity of attitude. 

An effort to establish an identity of attitude with Sinan

DESIGN METHODOLOGY

Location is a very important input for this project. This land is very fertile in terms of creativity. 20 km northeast of the project area, there is a man born in Ağırnas village, a village in Koramaz Valley, which is famous for its unique stonemasonry, who grew up with this culture and for whom we are now trying to design a museum. This is why it is quite meaningful that this structure is uniquely derived from the ground.  


We started by creating rich sections of the earth crust and space in our minds. As the defining part of that space on the ceiling of each space, we preferred to use our hands to obtain a  rich chain of sections, which correspond to a surface movement and change constantly in three dimensions. 


The rough surface of the model after scraping provided an important similarity with this idea of the earth crust that we extracted from the soil. After making sure that we captured the light - shadow - human and scale relations that we had in our minds in the 1/200 scale model, we produced a 180 degree cloud model. By extracting the contours of the roof surface topography with the three-dimensional model we obtained, we actually had a filling map in hand that will be given to the site in the future construction stage. The fact that the design and the construction phase are in high contact establishes a valuable identity with the subject of the competition.


A crust of earth suspended between earth and sky

“MUSEUM” AS A CIRCULATION AREA
MUSEUM WITHOUT WALLS

The most important schematic decision we made is to design the circulation line of the building itself as a museum-exhibition route... and to derive all the curatorial work to be done about Sinan in the spaces inside the column rooms following this route line. Thanks to this scheme, spaces such as the multi-purpose hall, workshops, classrooms, library, cafeteria, which are added to the exhibition route, enrich the exhibition inventory by being included in the exhibition setup as spatial exhibition objects with the floor material, the form of the roof and the spiritual quality of the skylight, even when they are not used. We are transforming the Exhibition Area from being a “hall” into a backbone that feeds the entire building.


We are creating a route designed integrated with the architecture, connecting with the ceiling, and giving each step a different experience and a different cross-section. On this experience route, we place all kinds of interactive and educational exhibition methods required by the new century, integrated with the natural shell and architecture of the building.