In the heart of Carthage, a unique architectural concept emerges at the crossroads of two rich cultural heritages, where the Roman Empire's gridal urban system encounters the Maghrebi Acropolis. This urban area, defined by two pivotal axes, Decumanus Maximus and Cardo Maximus, centers around Byrsa Hill. The architectural vision comprises two key components: the preservation and rejuvenation of historical structures and the creation of a contemporary extension building.

Historical buildings within the precinct have been meticulously safeguarded to retain their cultural significance. Notably, the Seminary of the White Fathers building, serving as a museum since 1875, is proposed for reinforcement and adaptation to house both permanent and temporary exhibitions, along with administrative units. Other architectural adjustments, like removing the mezzanine floor and creating strategic openings, enhance the structure's function. Meanwhile, the Cathedral maintains its role as a place of worship and visitor attraction.

The design of the new extension building exemplifies a harmonious fusion of modern aesthetics with traditional construction methods. Striking a balance between history and contemporary narrative, this approach seeks to amplify the area's historical significance while seamlessly integrating the new structure. It reinstates symmetry, complements existing architecture with rhythmic arches, and provides a penetrable ground level, fostering a connection between visitors, the courtyard, and the archaeological site. Notably, the use of eucalyptus-lined alleys creates a unique ambiance, enhancing the overall visitor experience. This architectural concept revives Carthage's past while paving the way for a vibrant future, where history and modernity coexist in harmony.